(((folkYEAH!))) Presents A Very Special Socially Distanced Event with
Marty O'Reilly - Duo
+ Mad Alchemy Liquid Light Show
Tickets are sold via tables of 2, 4, or 6. Ticket includes general admission to the show + a prix fixe dinner.
Our staff is trained and experienced in all San Francisco Health Department regulations. The following guidelines will be in place for your health and safety:Masks are required for entry. The line for entry will allow for social distancing. All members of your party must be present and waiting together in order to be seated. Tables will be properly distanced. Restrooms will be easily accessible and monitored for distancing and cleanliness. There will be hand sanitizer stations throughout the concert area.
Please reach out to us if you have any questions
Just when you think American roots music should be relegated to the dusty confines of a purists museum it will surprise you with a paradigm shift. Take MartyOReilly & the Old Soul Orchestra passing through tradition, the quartet stumbled upon innovation, proving that old souls can be creatively fresh.
The Santa Cruz, California-based quartets latest, Stereoscope, out February 9, 2018, marks an evolutionary leap in a journey of artistic identity, songwriting maturity, band friendship and fiery group synergy. Here, Marty OReilly & the Old Soul Orchestra homed in on their signature cosmic roots aesthetic, brimming with cinematic songcraft, impressionistic lyrics, clever arrangements, telepathic ensemble interplay, and soulfully world-weary vocals. Imagine the delta blues reprised by psychedelic indie rockers.
My whole career has been based on better understanding whats real and important in artistry, and what is bull#$%, says Marty. When you weed out all the excess, the little thing that is left is you.
Marty OReilly & the Old Soul Orchestra features Marty on electrified resonator guitar and vocals, Chris Lynch on violin and keys, Ben Berry on upright bass, and Matt Goff on drums and percussion. The group specializes in roots music with evocative lyrics that are conceptually cryptic, relying on imagery and symbols to convey emotion. Artistic touchstones for the group include John Lee Hooker, Howlin Wolf, the darkly cathartic oeuvre of Tom Waits, and the experimental arrangements of Radiohead.
The album represents the maturation of artists shedding hero worship and embracing the creativity within. These new frontiers are characterized by a heartfelt purity in Martys vocals, the tracks unique and richly expressive chord structures and progressions, a shift in narrative perspectives to a more observational bend, and emotionally dynamic arrangements that are beautifully arresting, often beginning with sparse simplicity and then reaching lush and fully orchestrated climaxes with sensitive group interplay.
The 11-song album opens with Firmament, which eases in with delicately eerie ambience and sparse musical accompaniment, revealing all the soulful nuances and inflections in Martys voice. The song soars forward with an impactful arrangement as the full band joins in with rich and varied musicality, including a dazzling drum and percussive break and a violin solo as brilliantly fractured as a cubist painting. The albums third track, the haunting Ghost, is a swampy ambient blues that uses the phenomena of sleep paralysis as an intriguing metaphor for vulnerability. The standout album single Off and On Again offers sweet yearning for a détente after a lovers quarrel. Other album highlights include a rendition of Skip James blues classic Hard Time Killing Floor with chillingly beautiful new music to accompany the haunting traditional lyrics, and the three stirring, but challenging, instrumentally-driven songs that conclude the album and recall fringe jazz guitarists Bill Frisells evocations of dustbowl Americana with futuristic ambience.
Stereoscope is no doubt a milestone entry for Marty OReilly & the Old Soul Orchestra, offering forth the bands most assured and mature release to date. We put our heart and soul into this album, shares Marty. Its the album Ive always wanted to make one that ten years later I can still be proud of. Making it has made me feel whole, and brought me a lot of joy.