Americana and roots singer-songwriter Jackie Greene is a jack-of-all-trades, and an artist who can croon over soulful piano ballads as much as he can shred a bluesy guitar solo (like he did as the lead guitarist for The Black Crowes in 2013). A road warrior and musicians musician, Greene's new EP 'The Modern Lives - Vol 2' (out October 2018 on Blue Rose Music) finds him at a new chapter in his life: his first months of fatherhood, time off his relentless touring circuit, and a cross-country move from Brooklyn to his birthplace of Northern California. This new collection of six original songs is a thematic extension of 'The Modern Lives - Vol 1' EP (released in 2017 on Blue Rose Music), imbued with a Brooklyn basement DIY feel and ethos. He is a student of American music, transfixed upon its progression through time, as well as how regional sounds fit in a contemporary context. Whereas 'Vol 1' saw Greene experiment with the Delta blues as a canvas for his examinations of modern society, 'Vol 2' sees Greene embrace the sounds of the bluegrass and folk tapes of his youth. Lead single "Crazy Comes Easy" showcases Greene's dynamic, multi-instrumental range as he plays slide guitar, organ, bass, and percussion, the guitar licks an appreciative nod to his time in The Black Crowes. Meanwhile, "Good Old Bad Times" highlights Greene as the songwriter as he rattles off lines like "How can somebody find a future? If they ain't got a foothold in the past?" while taking a critical eye to the idea of nostalgia. Piano ballad "Victim Of The Crime" was one of Jackie's oldest demos up until the feel of these sessions gave him the tools to finish a song that, in his words, was written for his wife before she was his wife. While the title possesses a kind of melodrama, the song itself is tender and heartfelt as he details love's trials and tribulations. Greene partnered with Academy Award-nominated "king of indie animation" Bill Plympton for a series of music videos for 'The Modern Lives - Vol 1' that would eventually become an animated short film titled 'The Modern Lives'. The film is currently making the rounds at film festivals where it has already won the Jury Award at the USA Film Festival in Dallas, TX, and the Grand Remi Award Best in Show at WorldFest in Houstin, TX. The short is also being exhibited at the 71st Festival de Cannes/Court Metrage, Melbourne International Animation Festival, and ASIFA-East Festival, amongst others.
If You Can’t Say Anything Nice... “ The anger and depression got to me, and I couldn ’ t hold it in anymore. So, I got into a room with my demons and we just hit record, ” shares indie singer - songwriter Leslie Mendelson. The resulting album, playfully titled, ‘ If You Can't Say Anything Nice ... , ’ is viscerally themed, imaginatively arranged, cinematically dynamic and textured, oozing raw elegance. “ I deal with depression and anxiety, and I ’ ve never really sang about it before. It also felt lik e what was going on with society was also affecting me, in terms of gun violence, the opioid crisis, and the all hatred in the news and media. It felt like it was time to speak out, ” Leslie explains. Leslie has released two prior albums, including her Gr ammy Award - nominated debut, ‘Swan Feathers,’ one EP, and three singles. Her first album exhibited a production sheen she opted to strip away on her sophomore album, ‘ Love & Murder . ’ Her latest, ‘ If You Can't Say Anything Nice ... , ’ is a gutsy album that split s the difference between her previous albums in terms of production, but also features some garage - rock bluster. “ The best time to make a rock n ’ roll record is when you ’ re broke and pissed off, ” she says, with a good - natured laugh. For the album, Leslie w orked with longtime co - writer and guitarist Steve McEwan who co - produced the album alongside bassist and engineer Lorenzo Wolff. Previously to releasing ‘ If You Can't Say Anything Nice ... , ’ Leslie and Steve collaborated with Jackson Browne on a stirring c omposition that was featured in the acclaimed documentary film, ‘ 5B, ’ about the San Francisco General Hospital AIDS ward during the early '80s directed by Paul Haggis and Dan Krauss. Leslie and Jackson also performed together at the Beacon Theater in NYC i n June 2019, while she joined him throughout his West Coast tour to perform the song in August 2019. In addition, Leslie had the distinct honor of opening for The Who twice at Madison Square Garden in May and September 2019. The pairing of sparseness an d potency that informs ‘ If You Can't Say Anything Nice ... ’ was inspired by John Lennon ’s ‘ Plastic Ono Band ’ album. Besides being emotive and topical of the day, Leslie favored its no - frills piano, bass, drums, and guitar approach. ‘ If You Can't Say Anything Nice ... ’ opens with the urgent love song, “ Lay It On Me. ” The track unfolds theatrically with dramatic dynamic shifts, and the lyrics are emotive and direct with such lines as: “I just want to ease your pain/Beat the hammer through these walls/Anything that I can say/To make your fears feel so small/So lay it all on me.” The dangers of self - medication in the age of readily available options pervade the intimately reflective ballad, “ Medication. ” On the title track, Leslie channels her inner Nick Cave, swagg ering and snarling through filthy - but - catchy blues - rock. The self - explanatory “ Would You Give Up Your Gun ” is a stirring, elegantly emotive political track. Leslie clarifies: “ That song is not meant to be preachy. We have loose gun laws and there have bee n so many massacres in the last 10 years. I am posing the question to those who feel safe by hanging onto their right to bear arms — would you give up your gun to save lives? ” Leslie opens “ I Need Something To Care About ” with the lines: “I can ’ t feel a thing for anything/Thinking that my minds desensitized.” The song is a plea to pull oneself from a numbing depression. Here, the contrast of airy piano melodic figures, treated vocals, and delicate ambient textures create a swirl of emotions within the mus ic. “ We all want a purpose, and when we feel we have nothing to say, it ’ s scary, and you fight that by searching, ” Leslie reveals. Leslie has boldly bared many private fears on If You Can't Say Anything Nice ... , and expressing her inner landscape has been scary but also healing . “ When you share something this vulnerable you do get some comfort because it resonates with people, ” she acknowledges. “ You realize you ’ re not alone. ”
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